Craftspace

Charity 1001237

www.craftspace.co.uk

Overview

Summary

Sources:Civic AtlasAI-assisted

Craftspace appears to operate less as a conventional arts presenter than as a platform that connects contemporary craft with participation, learning, social inclusion and economic opportunity. Its public offer spans exhibitions, artist-led activity, creative products and resources, with particular signs of work alongside migrant and refugee women and young people in Birmingham. The available evidence suggests an organisation using craft both as cultural practice and as a route into confidence, visibility and creative livelihoods.

See observations

Operational geography

Sources:ONSCivic AtlasAI-assisted

Coverage: Regional

Operational areas:

Evidence and reasoning
Supporting evidence
Soho and Jewellery Quarter

Confidence: high

Direct evidence identifies Craftspace's office at Unit 204, Argent Centre, 60 Frederick Street in the Jewellery Quarter, and its current events listing schedules workshops at this address. Birmingham City Council's ward mapping places the Jewellery Quarter within the Soho & Jewellery Quarter ward.

  • Craftspace, Visit Us
    Craftspace gives its office address as Unit 204 Argent Centre, 60 Frederick Street, Birmingham B1 3HS, with access on Legge Lane, and identifies Jewellery Quarter station as the nearest station.
  • Craftspace, What's On
    The current programme lists Craftspace workshops at Unit 204, Argent Centre, 60 Frederick Street, including events in November 2026, January 2027 and March 2027.
  • Birmingham City Council, Soho & Jewellery Quarter Ward Map
    The council's ward mapping identifies Soho & Jewellery Quarter as the ward covering the Jewellery Quarter area.
City Centre

Confidence: high

Direct evidence states that Shelanu, Craftspace's supported migrant and refugee women's craft collective, meets once or twice weekly in Birmingham city centre. This is recurring service delivery rather than a one-off public event.

  • Craftspace, Shelanu: The Collective
    Shelanu is described as a collective supported by Craftspace whose members meet once or twice a week in Birmingham city centre for activities including jewellery making, and run creative community workshops.
  • Craftspace, Join Shelanu
    The page advertises free weekly Shelanu sessions for Birmingham residents who have migrated, are refugees or are asylum seekers, and states that the group meets in Birmingham city centre.
Remaining uncertainties
  • Craftspace states that it does not have its own venue, despite maintaining an office and currently listing workshops at that office. The available evidence supports treating the Argent Centre as an active office and workshop location, but not as a dedicated permanent public venue.
  • The exact city-centre venue used for Shelanu's weekly meetings is not published in the evidence reviewed. It should not be inferred from Craftspace's correspondence address.
  • Craftspace works through galleries, museums, community venues and other partners, but the current evidence does not identify enough active Birmingham venues to assign additional wards confidently.
  • Crafting Pathways worked with Birmingham-based young people and with The King's Trust and South & City College Birmingham for recruitment, but the published material does not establish which Birmingham wards participants lived in or where all activity took place.
  • Craftspace's operational identity is partnership-led rather than neighbourhood-bound. Its Made in the Middle exhibition toured galleries across the Midlands during 2025 and 2026, supporting a regional overall footprint; however, the tour is now described as finished, so its current physical delivery beyond Birmingham is not fully evidenced.
Additional evidence needed
  • A current programme or annual report identifying all active Birmingham delivery venues, dates and partner organisations.
  • Confirmation of the regular Shelanu meeting venue, if publication is appropriate and does not create privacy or safeguarding concerns.
  • A current list of touring exhibition venues or commissioned workshop locations to confirm the extent of Craftspace's active regional delivery after the Made in the Middle 2025-2026 tour.
  • A current impact or monitoring report showing whether participatory programmes are delivered across Birmingham or concentrated in particular communities or venues.

Areas of work

Source:Charity Commission
  • Arts/culture/heritage/science
  • Disability
  • Economic/community Development/employment
  • Education/training
  • General Charitable Purposes
  • Human Rights/religious Or Racial Harmony/equality Or Diversity
  • Other Charitable Purposes
  • Recreation
  • The Advancement Of Health Or Saving Of Lives
  • The Prevention Or Relief Of Poverty

Who they help

Source:Charity Commission
  • Children/young People
  • Elderly/old People
  • Other Charities Or Voluntary Bodies
  • Other Defined Groups
  • People Of A Particular Ethnic Or Racial Origin
  • People With Disabilities
  • The General Public/mankind

How they help

Source:Charity Commission
  • Other Charitable Activities
  • Provides Advocacy/advice/information
  • Provides Services
  • Sponsors Or Undertakes Research

Discoveries involving this organisation

The Atlas has not published any Discoveries involving this organisation yet.

Observations

Sources:Civic AtlasAI-assisted
  • Craft is being used as civic infrastructure

    Craftspace appears to treat making as more than an artistic end: it may be a practical medium for learning, participation, identity and connection across groups.

    Why it matters

    This helps distinguish Craftspace from organisations focused primarily on exhibiting or selling art. Its potential contribution may lie in creating accessible ways for people to take part in cultural life and develop through it.

    Show evidence
    • “Developing people, ideas and opportunities through contemporary craft.”

      Source:Organisation
    • “Workshop-in-a-Box offers craft materials and guidance from artists.”

      Source:Organisation
    • “The charity's purposes include education/training, arts/culture/heritage/science, disability, equality or diversity and economic/community development/employment.”

      Source:Charity Commission
  • Participation and professional development appear connected

    The evidence suggests Craftspace may link public engagement with pathways into artistic identity and opportunity, rather than separating audiences from makers.

    Why it matters

    This may make Craftspace a useful connector between cultural participation and creative-sector development, especially for people who may not otherwise see artistic work as accessible.

    Show evidence
    • “Crafting Pathways supports four Birmingham-based young people to develop artistic skills, interests and identities and learn about working as an artist.”

      Source:Organisation
    • “The website invites people to hear about opportunities for artists.”

      Source:Organisation
    • “The charity helps children/young people, people with disabilities, other defined groups and the general public.”

      Source:Charity Commission
  • Migration is a visible strand of its cultural work

    Craftspace appears to use craft to foreground migration-related stories and support migrant and refugee women, potentially combining cultural representation with participation or enterprise.

    Why it matters

    This indicates a distinctive role in whose making is made visible within the Midlands' cultural landscape, and suggests possible relationships with refugee, migrant and women-led support networks.

    Show evidence
    • “Shelanu supports migrant and refugee women.”

      Source:Organisation
    • “Stories of Making and Migration features Midlands-based everyday makers influenced by migration.”

      Source:Organisation
    • “The shop sells Shelanu jewellery collections.”

      Source:Organisation

    Remaining uncertainties

  • Whether participants co-design projects, receive payment or gain sustained employment opportunities.
  • Which local organisations, communities and funders are central to delivery.
  • The reach, outcomes and accessibility of its programmes beyond the examples shown.

    Additional evidence needed

  • Recent annual reports or impact evaluations showing participant numbers, outcomes and programme geography.
  • Information on project partners, artist commissioning, participant payment and governance.
  • Evidence of how income from shop products and fundraising supports charitable activity.
Charity Commission profile
Source:Charity Commission

Activities

Charity objects