In Good Company Limited
Charity 1029452
https://www.derbytheatre.co.uk/about-us/in-good-company-and-artist-development
Overview
Summary
In Good Company Limited appears to be a broadly constituted arts-education charity whose formal remit spans public cultural participation, training and research. Its objects suggest an organisation positioned not only to deliver arts learning, but also to connect artistic practice with public benefit through performance, education and enquiry. However, the available evidence describes aspirations and permitted activity more clearly than its actual operating model, audiences reached or local relationships.
Operational geography
Evidence and reasoning
Supporting evidence
Bordesley and Highgate
Confidence: high
In Good Company has a current formal partnership with Birmingham Hippodrome and delivered artist-development activity there during the 2026 Origins Festival. Birmingham City Council identifies Birmingham Hippodrome as being in the Bordesley and Highgate ward.
- In Good Company, Partners page
Lists Birmingham Hippodrome as an In Good Company partner and describes the partnership as providing artist-development offers benefiting artists, audiences and communities. - Birmingham Hippodrome, In Good Company: FROM SCRATCH! event page
Records an In Good Company scratch-night event at Birmingham Hippodrome Theatre as part of Origins Festival 2026. - Birmingham Hippodrome, In Good Company: One to One Artist Support event page
Records free one-to-one mentoring sessions delivered by In Good Company for theatre-makers at Birmingham Hippodrome through Origins Festival. - Birmingham City Council planning record 2020/05055/PA
Identifies Birmingham Hippodrome Theatre as located in the Bordesley and Highgate ward.
Remaining uncertainties
- The evidence supports Birmingham activity through Birmingham Hippodrome, but does not establish that In Good Company owns, leases or permanently staffs a physical site in Birmingham.
- The available evidence identifies a venue-based partnership and specific 2026 activity, but does not demonstrate regular delivery across other Birmingham wards.
- In Good Company's operating identity is regional rather than Birmingham-citywide: its current partnership network spans venues across the Midlands. Its Birmingham footprint should therefore be understood as a significant city venue partnership within a wider Midlands service model, not as evidence of direct delivery throughout Birmingham.
- A registered-office address should not be treated as evidence of an operational site in Birmingham.
Additional evidence needed
- A current In Good Company delivery plan, annual report or programme calendar identifying the frequency and location of Birmingham activity after the 2026 Origins Festival.
- Confirmation from In Good Company or Birmingham Hippodrome of whether the partnership includes ongoing Birmingham-based mentoring, residencies, workshops or commissions beyond individual festival events.
- Evidence of any additional current Birmingham venues or community delivery partners.
Areas of work
- Education/training
Who they help
- The General Public/mankind
How they help
- Provides Services
Discoveries involving this organisation
The Atlas has not published any Discoveries involving this organisation yet.
Observations
A deliberately broad cultural mandate
The organisation appears to have been established with scope to work across several art forms and through several methods: education, training, production and research. This may give it flexibility to respond to cultural opportunities rather than being confined to one discipline or service type.
Why it matters
This helps distinguish the charity from a narrowly focused arts provider. Its potential role may be as a platform linking cultural participation, artistic development and public learning.
Show evidence
“The objects include promoting and developing any art or science, conducting research, producing plays, and encouraging drama, mime, dance, singing, music and cinema.”
Source:Charity Commission“The charity aims to receive, educate and train students and members of the general public in drama, opera, music and other arts.”
Source:Organisation
Public benefit is framed through cultural access
The available evidence suggests that cultural experience and appreciation are treated as public goods, rather than only as specialist artistic outcomes. The organisation may therefore be oriented toward widening engagement as well as developing artistic skills.
Why it matters
This indicates a possible contribution to civic life: creating routes into arts participation for people beyond formal students or professional practitioners.
Show evidence
“The objects include advancing the cultural experience and education of the public at large and public appreciation of the arts.”
Source:Charity Commission“The charity helps the general public or mankind and provides services.”
Source:Charity Commission
Research is an underexplained part of its identity
Research into art or science is named alongside education and performance, which may indicate an ambition to generate knowledge as well as deliver cultural activity. Yet no evidence shows what research is undertaken or how findings inform practice.
Why it matters
If active, this could make the organisation a potential learning partner for arts providers, educators or cultural policymakers; if inactive, it may represent unused capacity within its charitable remit.
Show evidence
“The objects include studying and conducting research in any art or science for the public benefit.”
Source:Charity Commission“The charity aims to advance the study of and conduct research into any art or science for the public benefit.”
Source:Organisation
- Which art forms, programmes and services are currently delivered.
- Whether the organisation works with particular places, communities, schools or cultural partners.
- How research, training and public cultural activity relate in practice.
- Who participates beyond the broad category of the general public.
Remaining uncertainties
- Recent annual reports, programme information and examples of delivered activity.
- Information on participants, geographic reach, partnerships, funding and research outputs.
Additional evidence needed
Charity Commission profile
Activities
The Charity aims to advance the study of and conduct research into any art or science for the public benefit; to receive, educate and train students and members of the general public in drama, opera, music and other arts, to promote, maintain, improve and advance the cultural experience and education of the public at large and the public appreciation of the arts.
Charity objects
1. To advance the education of the public; 1.2. to promote and develop any art or science for the public benefit; 1.3 to study and conduct research in any art or science for the public benefit; and 1.4 without prejudice to the generality of the foregoing, to promote, maintain, improve and advance the cultural experience and education of the public at large and the public appreciation of the arts, particularly by the production of plays and the encouragement of the arts, including the arts of drama, mime, dance, singing, music and cinema, and to receive, educate and train students and members of the general public in drama, opera, music and other arts.